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LIVE 105 BFD 2016: Blaqk Audio

Learn more about Blaqk Audio before their live set in the Subsonic Tent at LIVE 105 BFD 2016.

Origin:

Ukiah, CA

Members:

Davey Havok
Jade Puget

Blaqk Audio Around The Web:

Official Site | Facebook | Twitter | Instagram | YouTube

About Blaqk Audio:

BLAQK AUDIO is the electronic alter ego of DAVEY HAVOK and JADE PUGET, best known for their work with multi-platinum-selling rock band AFI.
On April 15th, the duo will release MATERIAL (Blaqknoise/Kobalt), an album produced and recorded by Puget, and their first since 2012’s Bright Black Heaven. They recently gave fans a preview of the record with lead track “Anointed,” which can be streamed HERE.  

Havok and Puget’s shared love of electronic music runs deep. Havok, who counts Devo’s Freedom of Choice and Duran Duran’s self-titled debut among the first albums he owned, saw his tastes evolve over the years from the synth pop of Erasure and Pet Shop Boys to Depeche Mode and ultimately to the heavier, darker Skinny Puppy, Ministry, Front 242 and Lords of Acid. Later, Havok immersed himself in the “futurepop” genre, which combined dark dance-y electronica with melodic vocals. From roughly 1999 to 2003, his contemporary musical diet consisted almost exclusively of artists falling under the industrial/ebm/futurepop/bigbeat/trance umbrella. 

“Considering this is Blaqk Audio’s third record over the course of its 15-year existence, it’s always an exciting and rare opportunity to release a new batch of songs,” says Puget. “Each new release finds us in a very different place, creatively, than the last,” adds Puget. “Influences are different, musical interests have slightly or vastly shifted. As a writer, I’ve moved fully onto [software music sequencer] Ableton Live since the last album, which changes my workflow and writing style.”

Puget shared his bandmate’s long-standing love of electronic music, beginning with a passion for Daft Punk, Depeche Mode, Ministry, Squarepusher, Nitzer Ebb, and Front 242, spending a great deal of time programming electronic music, which in turn led to a plan to start an entirely electronic side project: no organic instruments, just synths, keyboards, drum machines, and software.

“Being huge music fans and fundamentally driven by music in a creative sense, BA is a wonderful outlet for our long-standing love of electronic music,” says Havok. “Were it not for BA, I’d still be writing this type of music, even if it never saw the light of day.”

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